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Thursday, February 16, 2012

Harjo's Kitchen Table

Perhaps the World Ends Here

BY JOY HARJO
The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

I have been thinking about this poem a lot, especially how this one would speak to Shonto Begay's poem that I blogged about here. Harjo's poem makes visible a lot of things
which Begay's poem obscures-- women's labor, the conflicts that happen around the domestic space, the production and reproduction. There isn't any "I" in this poem.Instead, there is a "we." However, there is still something that makes me uncomfortable about this poem. What does it mean to say the world begins and ends at the kitchen table, when the struggle for a large section of women in this world had been to construct a world beyond the kitchen table. It doesn't really shrink a woman's world per se, as it happens in the Begay poem. But it shrinks the world itself to fit into the space of domesticity. I am trying to formulate a way in which to relate this shrinking to the kind of politics of indigeneity that Harjo ascribes to, but haven't been able to do it yet.

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