I loved the results. I think, this one is going to be a keeper in my kitchen. But still, I missed the taste of the fresh goat-liver that I have eaten in Kolkata. The frozen stuff simply did not taste the same. The again, who knows, maybe it's all in my head. Anyways...
Saturday, July 28, 2012
: Liver Kosha With Spinach::
I loved the results. I think, this one is going to be a keeper in my kitchen. But still, I missed the taste of the fresh goat-liver that I have eaten in Kolkata. The frozen stuff simply did not taste the same. The again, who knows, maybe it's all in my head. Anyways...
Tuesday, July 10, 2012
Recipe : Chicken Paprika
Ingredients2 1/2 lbs chicken, cut into 2-inch pieces
1 tbsp vegetable oil
1 small onion, finely chopped
2 cloves garlic, minced
1 tbsp Hungarian paprika (sweet or hot)
2 1/2 tbsp all-purpose flour
2 cups (480 ml) of chicken stock
4 tbsp white wine
2/3 cup (70 ml) sour cream
1 bell pepper, seeds removed and sliced into rings for garnishing
salt and pepper to taste
DirectionsUsing a large skillet, heat oil over medium-high heat. Add the chicken pieces and and brown, turning occasionally, until golden, about 6 minutes. Transfer to plate and cover to keep warm.
Drain fat from pan. Add the onions and garlic; cook until soft. Add the paprika and flour, stirring constantly, for 2 minutes. Gradually stir in the stock and bring to a boil, and continue stirring.
Add the wine and season to taste with salt and pepper. Cover and simmer gently for 20 minutes. Stir in the sour cream.
Arrange chicken on a large platter and spoon sauce over and around it. Serve with dumplings and sour cream on the side.This was the original one. What I did :
1. I marinated the chicken (Cornish Game Hens with bones) in paprika, cumin and coriander powder.
2. I didn't drain the fat from the pan.
3. I used ghee to cook.
4. Along with paprika, I added black pepper, white pepper and dill to season the onions.
5. I added tomatoes along with a little sugar (around one tbsp)
6. I added the sour cream in the actual cooking pan and let it simmer in the heat.
7. I used red wine instead of white.
So, at the end, I think, it became a very Bengaliized Chicken Paprika. What can I say-- I am an innovator. And this one kicked ass.
Thursday, February 9, 2012
::In My Mother's Kitchen: Thoughts::
I have been thinking a lot about food, because I am teaching a class on food. I like to eat, I like to experiment with ingredients in my kitchen. But when I approach food as the raw material for my scholarly and creative reflections and productions, I am primarily interested in these things: food and its relationship to concepts of power, food as a site of power, food as a site of resistance, food as a site that exists as an intersection of social processes like labor, commodification and consumption. Because I am interested in the labor that happens around food production, I am also interested in the valence of the kitchen-space. Kitchen the space within which most domestic food production happens. Kitchen the space which has, for so many centuries of human history, has been seen as the space where women belong. I can flip the equation around, and also say, because I am interested in gender, I am interested in the history and politics of the kitchen. I have been trying to find poems and memoir-pieces on kitchen. And this is one of the first things that came up when I did a Google search with the keywords In My Mother's Kitchen.
IN MY MOTHER'S KITCHEN
Fragrance of fresh tortillas and corn stew
Fills my mother's kitchen
Sparsely furnished
Crowded with warmth
Soot-grayed walls, secretive and blank
She moves gently in and out of light
Like a dream just out of reach
The morning light gives her a halo
That plays upon her crown of dark hair
Strong brown hands caress soft mounds of dough
She gazes out into the warming day
Past sagebrush hills, out towards the foot of Black Mesa
How far would she let the goats wander today
Before it rains
Childhood dreams and warmth
Tight in my throat, tears in my eyes
The radio softly tuned to a local AM station
News of ceremonies and chapter meetings
And funerals
Flows into the peaceful kitchen
Lines upon her face, features carved of hard times
Lines around her eyes, creases of happy times
Bittersweet tears and ringing silvery laughter
I ache in my heart
My mother's gentle movements light up dark corners
Her gentle smiles recall childhood dreams still so alive
My mother moves in and out of light
Like clouds on days of promising rain
—Shonto Begay
And here is Begay's website: http://shontogallery.com/wp/
What struck me about this poem is the way the poet reveals the little details of the mother's kitchen. There are so many images in this poem, much like the classic confessional/memory poem tradition of American poetry. But, all those image-work have been mobilized towards a specific impulse : to construct the mother's kitchen as an abode of peace, and the mother as a figure who embodies all that is "gentle" in life. Given Begay's personal and creative history, I am seeing in this poem a well-known trend: constructing the kitchen and the mother that provide refuge against the outside world : the world of funerals, tears and chapter meetings. In other words, the colonizing world which is only capable of generating trauma. But then, the mother in this poem is hardly a "real" figure : she "moves in and out of light", she is like a "dream that is out of reach." Yep, she becomes the classic national allegory. The allegory of the indigenous "American" nation that hasn't been born, that probably will never be born, and therefore, like the mother of this poem will always be a little elusive, its dream-like quality providing solace during moments of stressful contacts with the "mainstream" world.
But this is not just all. I am also thinking about how this elusive mother-figure keeps appearing in male poetry throughout the world. And not just the mother figure, the figure of the allegorized woman, Like Jibanananda Das's classic imageries of "kishorir chal dhoya haat" ( the young girl's rice-washed hands). In spite of their huge geographic and cultural difference, what is common in Begay and Das's kind of metaphor-making is that, it transforms women's actual labor into romanticized allegories, symbolizing some kind of inaccessible, elusive antithesis to the trauma of the outside world. So, when I read poems like this, I cannot help asking: where is the actual labor of the mother within the space of the kitchen? How does the mother-figure's frustrations and hysteria get reproduced within the kitchen space? How does the kitchen become the space where women's trauma (as against the "outside" world and its identification as the space for male trauma) gets constituted, articulated, expressed? And last but not the least, how does the mother herself see this kitchen? Does this ever become the space for expressing her creativity? What I am seeing as I am reading these lines I just wrote, what are the questions that we need to ask in order to de-naturalize the idea that kitchen is the essential space where women find belonging, and somehow, that's inherent in the very constitution of women. Unfortunately, in spite of the beauty of his images, that's what Begay's poem ends up doing.
As I am struggling through these questions, I find myself writing some poems which try to answer these questions. So far I have written six such poems. All of them are pretty short. But I am enjoying writing them. And along with finishing the first draft of the dissertation and teaching, that's what I have been up to.
Wednesday, January 11, 2012
::Food Memoirs::
Have been reading Leslie Li's culinary memoir Daughter of Heaven: A Memoir With Earthly Recipes for the class I am teaching in Spring. Apart from the fact that her writing is absolutely fascinating, I am also wondering about a few things:
Saturday, December 24, 2011
::In My Kitchen::
Sunday, December 18, 2011
::The Chapbook Manuscript Done::
Thursday, March 24, 2011
TidBits
In another week, we will bang right into National Poetry Writing Month. I don't think it will be a good idea for me to try to do the challenge with the dissertation still looming large in the background. Instead, I am taking up the challenge of working on my poems everyday. I don't know if that will amount to writing a new poem, or revising an old one. Sometimes, it takes me three or four days (or more) to get a poem out of my system. I don't want to yank out a poem a day because of April happens to be some kind of poetry month. But it does feel good to see that poetry receives a kind of special attention during this April, and there are events around it.
The dissertation-chapter is moving, although not as fast as I would like it to go. But it's moving!I have a strange, inconsistent relationship to deadlines. In case of the dissertation, the deadline to submit at least once to the writing group during a semester has been very very helpful. It has made me sit down, organize my thoughts, and just to produce something. Even if that "something" happens to be very rough, sketchy, and tentative. I mean, if I have a first draft at least I can go back to it, revise,and make it better. But it's hard to produce that first draft, often times! In case of my creative writing, I prefer to write without deadlines, and then put them up for workshops. Sometimes, I have generated new stuff for a workshop, and have revised the existing stuff extensively. But in general, I do like to produce creative stuff on my own time, and then use the workshop for thinking through the feedback.
Saturday, February 19, 2011
Pepperoni Fried Rice
I desperately needed to clean the refrigerator. Hence, this one.
Ingredients:
Pepperoni
Onions (I used pearl onions, around 8. But others would do too.)
Tomato (1, finely chopped)
Garlic (four cloves, finely chopped)
Green chili (1, slit in the middle)
Coriander Powder
Paprika
Red Chili Powder
Turmeric
Basmati Rice
Salt
Frozen mixed veggies (anything else will do too)
Preparation:
Heat butter in a skillet.
Temper it with cumin seeds, turmeric,salt, coriander powder, red chili powder, paprika.
Let the spices sizzle.
Pour in minced garlic, tomato, green chili, onion pieces.
Let everything mix together into a mush.
Throw in the pepperonis.
Then the de-frosted veggies.
Let everything mix thoroughly.
Throw in the rice. Let it mix with everything, fry them together a little bit. (I did it for around 7 mins.)
Pour some water. Cover the skillet.
As always, I don't really keep a record of the portions. I do whatever my eyes suggest. But the result wasn't bad at all!
Monday, January 3, 2011
Lemon Rice
Sunday, January 2, 2011
Nopales Con Pollo
Saturday, December 18, 2010
Food and Growing Up
Sunday, November 21, 2010
Duck Recipe
The duck sat on my freezer for too many days. Meanwhile, I kept looking for recipes in the web. Most of them seemed too complicated for my grad-student kitchen. And then, I just decided to give it a try. I mean, you can't really go too wrong with the South Asian spices. Slow-cooking makes everything delicious, and somehow I happen to know duck wings should be cooked longer than chicken wings. So, here is my duck recipe. I still need to find a snazzy name for it. But for now, I will stick to the ubiquitous curry.
Saturday, October 9, 2010
food/memory post
A possible topic for exploration? A Cultural History of the Phuchka? Sounds quite scholarly, no?